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A Constellation Of Bargained Parts

by James Joys

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John Pope
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John Pope The singular approach James Joys has long applied to deconstructed electronica, detailed sound design and carefully constructed language, folded into a world of choral texture and literally given new breath. Stunning, troubling and cathartic. Pete Devlin's voice is, as ever, a marvel. Cannot recommend enough. Favorite track: Shelter Song.
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1.
If no one sings of remarkable things then what is left but fallow men staged across the towns, speaking of hollowed things. If no one sings of wondrous things then all we’ll hear, cutting across the surface, of their gleaming towers, is their sirens’ call; their luxuriant whistles, begging us to peal ourselves from one another.
2.
Your mask is the smoke that clouds your face, and curls the edges of the words that founder, dry and wilt; wander away to deaden the ears of the others here not yet burdened with the luxury of doubt.
3.
Shelter Song 05:43
Good morning, song. Good morning, shelter. I’ll take from you the future, past, and present, and give them to the birds to console the days that pass along straight edges, between gleaming light and glowering night. Between the glowing yoke, between the gloaming white. Good morning, song. Good morning, shelter. I’ll take from you the future, past, and present, and give them to the birds to console the days that pass along straight edges, between the glowing yoke and the gloaming white.
4.
Of foul dust. Everything I hold here is coming apart, and settles softly on my palms as exhalations of foul dust. Everything I held dear has fallen apart, and softly burned the skin of the psalms I sing as gently as the air allows.
5.
She’s still to be born, a constellation of bargained parts, somehow begged out of sorrow, out of pity, or out of love.

about

For choir, electronics, and soloist.

credits

released March 1, 2019

Written and produced by James Joys and Pete Devlin.
Text by James Joys.

Performed by Codetta Choir and Pete Devlin on 6th October 2018 at St Thomas' Church, Belfast. Choir led by Dónal Doherty.

Recorded by Benedict Schlepper-Connolly (Ergodos).

Choir mixed by Adrian Hart at Ergodos, Dublin.

All post production and electronics by James Joys.
Mixed by James Joys

Mastered by Cormac O'Kane at Red Box Studios, Belfast.

Supported by Moving On Music and The Arts Council Of Northern Ireland.

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James Joys Belfast, UK

James Joys was a pseudonym of composer Jamie Thompson who now works under the name Adjunct Ensemble. You can find his critically acclaimed new work at diatriberecords.bandcamp.com.

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